Firstly, we are going to learn each scale on one string, so that you can clearly see the pattern. V���vC<7�r��J{���6I�C��=:�$��Czdk��1yV@�O�Y�!���>������S��������#�'|��)p#�僬a_�_�Z5��ו���M&r�/"�dK��ngbg�h�EKu�YJ2۳���T��$J�e�+�P�t���B���˝�,`/$�S �rlt$)����ϟ�" Diminished scales consist of alternating whole steps and half steps. << /Length 18 0 R /Filter /FlateDecode >> << /Gs2 11 0 R /Gs1 12 0 R >> /Font << /F1.0 6 0 R /F2.1 8 0 R /F4.1 * ii° - signifying the second chord in a minor scale. Using enharmonic spellings the diminished scale will have a dim 5th and an aug 5thand is much easier to work with. This dom-dim scale is nothing more than the diminished scale shape that we showed starting from the second degree instead of the first. Unlike other scales which contain seven notes, these scales contain eight notes. There are two diminished scales called the half-whole and whole-half. We met it in some detail in session (week) 4. Guitarist Yngwe Malmsteen explores this feature a lot. vii° – where “vii” signifies the seventh chord in a major scale. Another application of this scale, in addition to being able to be played over the diminished chord and the dominant chord as we have already seen, is the application over a “virtual diminished chord”. SYNTHETIC Scales: Scale Name: Spelling: Major Scale Reference: C Whole Tone C,D,E,F#,G#,Bb = 1,2,3,#11,#5,b7 C Diminished C,D,Eb,F,Gb,Ab,Bbb,B = 1,2,b3,4,b5,b6,bb7,7 Another popular way to use diminished chords is leading into a song’s vi chord (the minor chord built upon the 6th scale degree of the key). 17 0 obj The interval pattern is 1 - b9 - #9 - 3 - #11 (or b5) - 5 - 13 (6) - b7. For example, the G7 chord is a dominant that resolves in C major. Super Locrian is often used in jazz over an Altered Dominant chord (b9, #9, b5, #5, #11, b13) 1 printable PDF eBook ; 25 Audio Files It is very worthwhile to invest time in this study. 10 0 obj The diminished scale is a type of 8-note symmetrical scale. The Guitar Diminished Scale. Bass Guitar Scales pdf FREE DOWNLOAD Bass Scales are successions of notes with a relationship between them and it is necessary, for any instrument, to know and master them.. Another advantage is the repetition of patterns on string instruments. 4 0 obj 2811 PDF is the ideal format for this book. That was a standard which employed the melodic minor ascending scale. Even more so if you take into account cultures that use quarter-tones. r�cZ���W�#WA:�-��0�A8��Noo� Its one of these scales that just sound like jazz. ?�S��u謔Q���Yw*��n���Z`���5�'1�@v12m�Ni��V̩@�~7�$9���̄����GB����l��$2��\�H>sPYτ��S�e�������#p �F��Dr�M�sh�$��s-��w�\�&h�5��z87I��Y�#崞@��#��f�*IN�pё�Pe!1�x� ��L\@��N6w�Ax��� ��c�$�Sӟ�A&c��*rh��Jg,�*�a���Pe36�Q ~)���.�U�C����u���*�� Half Whole Diminished Scale Groups File Type: pdf. endobj Its one of these scales that just sound like jazz. ��ꭰ4�I��ݠ�x#�{z�wA��j}�΅�����Q���=��8�m��� And the listener accepts it, because this progression is very pleasant! The Diminished Scale is: An Octatonic Scale (i.e. Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me. We will see this concept applied in the examples. 7��:�3K���+>3��EQ���O��9������` �ې���Ϲ�"�v��B�XD����x_�����w�\q�?�ˁwZq,q7?ͽ;Panm�s��wG��UgƏ�I�Ϊ�I���������P(f�3�e���z�R�m��Z9��ۍ�~*�� After the D chord comes the E minor chord, but we have already mentioned on another article that the diminished chord goes very well as a passing diminished chord between a major and a minor chord (in this case, we would have the Major – Diminished – Minor sequence, being: D, D#°, Em). 2. Modes Although used in western and traditional music, these modes are often used in jazz, especially the C melodic minor scale modes. The Diminished Scale for Guitar. Diminished Scale Guitar Diagram 2. Here i… endobj �~?l��|?8�y����@�P�a�>�6pI��#��3�n�vp]G���r��V^�Y��A�Č$�[,�N���.nq��ir��59��L�=��4��3�%���Yo���[��^��N��;a>*��l����� This is one of the advantages. This scale is primarily used in jazz music and works well together with alternate seventh chords. Well we’re going to have a look at our first scale - the half diminished scale. >5�� �Tmc�pE���q�I8Z-�%1[�����ƞf���N@��|��Y���p1�j S5�P�j�+�H5]�P�"{��P�%�,� It is generally played over dominant 7 chords (7b9). The cool thing is that this passing diminished is so well accepted in this context that we can make a solo as if this chord were there, even if it is not there. !|)��.��A)IN7�J��l��4���������E Start by learning the intervals f… << /ProcSet [ /PDF /Text ] /ColorSpace << /Cs1 5 0 R >> /ExtGState The Diminished Scale is: An Octatonic Scale (i.e. [ /ICCBased 13 0 R ] ��T|�e~�X�����+n�i�R+�A�g��n��3,a�g��A��U�E���VJo�0��7-���9�T9��A��~�_3�P������Е�呂ݢ3��JT��$�����Ֆ!��R�'[nll��/�/G78)��Yl�\�Ȱ�I�~֮C��R{m��Uң!zv��Z��k�N�o�.�F_5 6���e�?����f�������͋�A'���ɡ�ۏ��wAϞ.�Ϳ�%�C��E�F���ﲠ`1dIb�>��`�?c}d7�(� Many authors reinforce that there are two diminished scales: the diminished scale that we have already shown and the dominant diminished scale (or dom-dim scale). endobj endobj Each of these scales can be used for material over the 4 dominant 7th chords, and the 4 diminished chords in which it is related. As you might imagine, the diminished scale can be played over the diminished chord. The Octatonic scale is ascending in a sequence of a whole step and a half step alternatively. @20G� �M�։���� m�W�+FV�zFt|��9�9�*�%*a�HF��c��|]�� C���f����Wh���KV�J�>�����{��s��&���>ʃ+�0hE� �6����E��,��I�v�pؓ\n(S1��sAo�~���2QG���YC�v��~ ��8_1�]g�T��˺پ�;'h�:|U*3Mk��#QP(TjZc�k����.��^k-�k2xI6қb�j ٚ�F�|G�:�`��Jr��L�$BJtn��T��x}r��2xI>o�1x]�G�Q�|A�jg�[���¬�iFE RM6�A����)�G��aT���j#�����H.y�4�L��v�[s Bass Guitar Scales pdf FREE DOWNLOAD Bass Scales are successions of notes with a relationship between them and it is necessary, for any instrument, to know and master them.. The diminished scale is an eight note scale. Some people call diminished scales “Octatonic” scales, as they have 8 notes (counting the root only once). These scales are developed mathematically using whole and half steps. Diminished scales are built by using alternating patterns of whole and half steps. 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